Global art is turning a new leaf with the India’s coastal city of Kochi, employing largely unconventional aesthetics to welcome back the second edition of the Kochi-Muziris Biennale (KMB). Focusing on works that unconventionally or quirkily narrate the region’s legends, “Whorled Explorations” will feature 100 artworks by 94 artists across India and abroad.
The 108-day-long extravaganza was opened to the media for the first time on 11 December, a day prior to the official opening, when the artistic director and curator of Kochi-Muziris Biennale 2014, JiteshKallat, conducted an on-site tour for journalists.
“The biennale is back again in Kochi; this time with 100 works of 94 artists from 30 countries at eight venues,” Mumbai-based Kallat announced to the media before the start of the press tour at the Aspinwall House, one of the eight venues for the event.
He was introduced to the media by Bose Krishnamachari, president of the Kochi Biennale Foundation, which is organising the contemporary art festival.
Kallat, himself an artist of international repute, said the second edition of Kochi-Muziris Biennale set to invoke mysterious expedition of earth. Kochi was an interesting site to invoke the mysterious expedition of the Earth, “our shared dwelling hurtling through space at dizzying velocity”.
The theme of understanding the world through the inter-planetary movement has been presented through the varying forms of art works, “beginning with the first work at the Aspinwall House in ‘Power of Ten’ by the late Charles and Ray Eames, the Americans whose work shaped modernist design in post-war United States.”
Partnering with the Kerala Tourism department, the Kochi Biennale Foundation has also invited architecture students from Spain and India to build a prototype for a bamboo roof for covering the trenches in Pattanam where the Kerala Council of Historical Research is conducting an archaeological excavation to track out Kerala’s early history surrounding the Spice Route.